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The story of Jerpoint Abbey, a historic Cistercian monastery in southeastern Ireland, begins with the legacy of one of Osraige’s most notable dynasties.

Explore the Berkeley legacy through Sir Giles Berkeley (d.1294) and Sir Thomas Berkeley (d.1365), whose effigies preserve their swarthy features, noble lineage, and medieval status despite deliberate facial defacement.

Discover the effigy of Knight Sir Lambert de Trikyngham (d.1280) in a medieval English church. Despite deliberate facial defacement, his Hebrew/Israelite features, including a broad nose and full lips reminiscent of KRS-One, remain visible. His feet rest on a lion, symbolizing the Lion of Judah and his Israelite heritage, preserving a noble lineage often erased from history.

Explore the tomb of Edmund Harman (c.1509–1577), barber-surgeon to King Henry VIII, at St John the Baptist Church, Burford. Despite deliberate facial defacement, Harman and his wife Agnes’s Hebrew/Israelite features — broad noses and full lips — remain visible. Their tomb, including sixteen children, preserves a swarthy lineage often erased from history.

Discover the effigy of Sir Otto de Grandson (c.1238–1328) at St Mary, Ottery St Mary, Devon. Despite deliberate damage to his nose, lips, and paint removal, the monument preserves his swarthy, Hebrew/Israelite features, confirming his true lineage. Knight, diplomat, and trusted confidante of King Edward I, his tomb honors a noble heritage erased from history.

The 14th-century effigy of Wilelmus de Staunton in St. Mary, Staunton in the Vale, Nottinghamshire, preserves unmistakable broad nose and full lips, even after deliberate damage. This rare monument reveals the swarthy Anglo-Saxon (Hebrew/Israelite) heritage of one of Nottinghamshire’s most powerful medieval noble families, whose estates and influence spanned the region. Despite attempts to erase their features, the Stauntons’ nobility and lineage remain boldly visible in stone

A close comparison of Michelangelo’s self-portrait and the figure of Jacob in the Sistine Chapel reveals an astonishing truth: the biblical figure mirrors the artist himself. Broad nose, full lips, and swarthy features suggest Michelangelo was a swarthy Hebrew/Israelite man, subtly inserting his identity into his work while conforming to papal demands to depict biblical figures as white. This hidden self-portrait reveals both his genius and the personal struggle behind his masterpieces.

We call out the BBC British Broadcasting Corporation & MSM for Whitewashing History and using Artistic Expression, which is NEVER in the likeness of the dark noble. This is a form of racism that needs to stop to prevent identity theft

The Church of England claim the first BLACK archbishop was Wilfred Wood appointed in 2005 but not according to my research.

The Flag Of Great Britain Represents Four So-Called BLACK Men - Union Jack which also means Union of Jacob the progenitor of the Hebrew Israelites.